Level 2 arrangements and video demos for the Tune (and Song!) of the Week tunes are now available as part of the Breakthrough Banjo course. Episode 66: “What Does the Deep Sea Say?”.Episode 50: “8 More Miles To Louisville”.Episode 45: “Let the Mermaid’s Flirt With Me”.Episode 41: “She’ll Be Coming Round the Mountain”.Episode 19: “Bury Me Beneath the Willow” Fireball Mail Roy Acuff Chords and Lyrics for Guitar Fireball Mail Roy Acuff FIREBALL MAIL Written by Floyd Jenkins (aka Fred Rose) G Here she comes - look at her roll There she goes - eatin that D7 coal Watch her G fly - look at her sail let her by, by, D7 by - its the Fireball G Mail.Episode 17: “Battle Hymn of the Republic”.Episode 15: “Roll In My Sweet Baby’s Arms”.Episode 8: “Been All Around This World”.Notes in parentheses are “skip” notes – to learn more about skips and syncopated skips, check out my video lesson on the subject.įor more on reading tabs in general, check out this complete guide to reading banjo tabs. In this arrangement, I’ve tabbed out the part I play in the banjo “solo,” as well as the vocal backup I play on the banjo while singing. FIREBALL MAIL gDGBD tuning, Brainjo level 3-4 The full workshop and accompanying handout is now available in the Breakthrough Banjo workshop archive). ( RELATED: I recently covered these topics in “ The Downpicker’s Guide to Bluegrass Banjo” workshop,, which included a review of how to imitate Earl’s most classic licks clawhammer style. He’s not the most influential banjo player of all time by accident. In all seriousness, I think any banjo player, no matter which direction he or she plucks their strings, would benefit from both listening to and studying Earl’s playing. You’ll note the frequent use of drop thumbs and skip strokes in the clawhammer tab, which are essential to recreating his highly syncopated sound. Mimic those licks, and you’ll fool all but the most astute aficionados.Įarl’s solo on today’s Song of the Week, Fireball Mail, makes for an excellent source to begin your studies. Earl essentially created the language of bluegrass banjo, including the majority of its most classic licks. In other words, to recreate the sounds of bluegrass banjo using clawhammer technique (a concept popularized by banjo player Mark “clawgrass” Johnson).Īnd there’s no better way to disguise yourself than as frailer in Earl’s clothing.īluegrass banjo is a unique animal in that the sound is still largely defined by one person, Earl Scruggs. The one where you deploy your old-timey guile and wit to blend so convincingly that nobody notices your hand is moving in an unauthorized direction! ( NOTE: if you want to go down that road, click here to check out the fingerstyle banjo course.) One is to go all-in, learning how to pick towards your face instead of away from it, your digits regally fashioned with shiny metallic picking implements. Of course, there are a few ways of taking such a trip. I’m speaking of course about bluegrass banjo. There comes a time in many a downpicker’s life when he or she becomes curious about life on the other side of the tracks. Click on the button below to get the PDF download for this tab delivered to you, and get 2 new tunes and tabs sent to you every week!
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